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Which means that much of what felt novel or prescient about the world of that first movie - with its allegorized, cyber-savvy world-within-worlds, its riffing on the idea of digital selves - has come to define human experience as we currently know it. It also knows that this is the 21st century. The Matrix Resurrections is a movie that knows you know its legacy - knows that the language and iconography of The Matrix (“red pill,” “bullet time,” “The Oracle,” “The One”) have seeped into the culture, into our minds, even if we somehow haven’t seen any of the previous movies. And consistent in this fact: It is a harbinger of something amiss in this world. Anderson’s therapist wears glasses with bright blue rims - a singular, unmistakable blue, an unmissable echo retrieved from the franchise’s gnarled world of symbols and codes. And that cat belongs to the therapist of Thomas Anderson ( Keanu Reeves), a man recovering from a suicide attempt and very much still working through it. Now, in Resurrections, Déjà Vu is the name of an actual black cat.
THE MATRIX RESURRECTIONS CODE
Most ominously of all, we get the return of déjà vu itself, which was once a mere harbinger of some revision in the code of the so-called Matrix, a bit of cleverly conceptual world-building incited by the appearance of a black cat - less of an outright, midsequence info-dump than a brief pause in the action for a tiny info-leak, all of it whittled down into the form of a random animal. And throughout Resurrections, quick, cutting insertions of the previous Matrix movies jut their way into this new movie, sometimes in the form of memories, or maybe-hallucinations other times grafted onto a literal screen, a torn curtain of sorts, like they’re a scene from a movie - which, so far as we’re concerned, is what they are. Unsurprisingly, this gets literalized: Minutes into the movie, a crew of familiar characters looks on from a distance as the opening scene of The Matrix replays itself… sort of. This is a movie that’s playing out in its own, disruptive present tense, looking back on its past self with curiosity and also skepticism. ) And a plot, meanwhile, that winkingly replays the story we already knew, almost beat by beat, with an awareness that only heightens the sense of revision. (This is no spoiler we’ve known since at least last year that Fishburne hadn’t been invited back for this sequel.
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Smith - unforgettably played by Laurence Fishburne and Hugo Weaving, respectively - but without those actors. Distorted.Ī case in point: the return of familiar characters, like Morpheus and Mr. But echo: in which you know the origin, you can pinpoint the source, and yet here it comes, boomeranging back, somewhat the same as before, but also different. ” Not déjà vu - not the spooky sensation of having dreamt or lived something already without being able to account for when or where it happened. The word that kept coming to mind while watching The Matrix Resurrections was “ echo.